- RECENTLY USED PRESETS IN EXPOSURE X HOW TO
- RECENTLY USED PRESETS IN EXPOSURE X UPDATE
- RECENTLY USED PRESETS IN EXPOSURE X PRO
- RECENTLY USED PRESETS IN EXPOSURE X PROFESSIONAL
This simulates the results of a toy camera’s plastic lens.įigure 4. Exposure’s Focus controls let you apply standard sharpening adjustments to your image, and they give you the option of doing so in an uneven manner that’s sharper in the middle than on the edge (Figure 4). There are a few adjustments that don’t have a corollary in Photoshop. The power of having them in Exposure is that you can build their effects into a preset that you can easily apply to multiple images. For the most part, the plug-in’s default color and tone adjustment tools, while very good, don’t do anything you can’t do in Photoshop.
There are a few other categories I’ll get to later in this review.Įxposure 3’s editing tools let you customize presets to achieve a very specific look. For example, in the Fading section, you’ll find film stocks that have been “aged” to create authentically distressed, aged, and faded results. The most noticeable differences between the black and white films are variations in grain.Ī lot of presets go beyond simple film stocks.Agfa color is a little more red than other brands.Fuji color is a little more saturated than Kodak color.The least latitude is in slide films and slow black and white films.Slide films tend to have more contrast and saturation than print films. There are separate lists of print and slide films in the color plug-in.The following tips will help you make it through the film preset forest:
RECENTLY USED PRESETS IN EXPOSURE X PRO
The film shooter might think, “Oh boy, they’ve got Fuji Pro 400H!” (Film shooters don’t get out much, what with all that time they have to spend in darkrooms, so they’re easily excited.) But the user with a digital-only background might see an overwhelming list of arcane options. For example, Fuji Reala comes stock, or with a preset that’s pushed a stop - a common processing technique for this film.Īs with any plug-in that offers a huge arrange of presets, Exposure 3’s list can be overwhelming, especially if you don’t have film experience. The presets mimic the ways that people used specific film. For example, Fuji FP-100C comes in a stock version, a version with a magenta cast, one with a slight blur, and another left “too long in the pod.” These aren’t just random tweaks. The color example is the original photo I applied the Daguerrotype preset to get the sepia-toned version. The film emulation is amazingly accurate (Figure 3).įigure 3. Ever wondered what kind of results you could expect from an Autochrome process or Daguerrotype? Slap those presets on your image and see for yourself. You can learn about the characteristics of stocks or processes that you may have heard about but never used. Hover your mouse over a preset and a tooltip appears that briefly describes that stock. Experienced shooters will be excited to see pretty much all major film stocks going back 75 years. These are just a few of the color film stock choices.Įven if you don’t have much film experience, you’ll recognize a few names, such as Kodachrome. And when I say there’s a list of film stocks, I mean there’s a LIST OF FILM STOCKS! Exposure 3 has more than 500 presets for a huge range of films (Figure 2).įigure 2.
On the left of the Exposure window is a list of film stocks. Screen updating is much faster than in previous versions. Click on any image to see a larger version.įigure 1. Exposure 3 is much zippier than its predecessors, with noticeably quicker redrawing of its preview window. Open any RGB image in Photoshop, launch the plug-in, and you’ll see a large preview of your image (Figure 1). A Photoshop plug-in, Exposure 3 is compatible with CS3 through CS5 (in 32 or 64-bit mode) as well as Lightroom 2 and 3.Įxposure 3 is actually two plug-ins: one for black and white simulations, and one for color.
RECENTLY USED PRESETS IN EXPOSURE X UPDATE
If you miss the days of achieving certain looks with film, or if you simply want a quick way to change images’ appearance, check out Exposure 3, the latest update to Alien Skin’s film-simulation software.
RECENTLY USED PRESETS IN EXPOSURE X HOW TO
And you still need to learn how to digitally recreate film effects.) (You can tweak processing settings, but you’ll get the most processing room latitude if you shoot in raw. However, while experienced film shooters can pick specific films to get particular looks, digital cameras always give you the same color and contrast response.
RECENTLY USED PRESETS IN EXPOSURE X PROFESSIONAL
I don’t know any professional photographers who miss the day-to-day hassles of shooting with film: expense, lack of instant review, slow turnaround times, noxious chemicals. Pros: Speedier than previous versions huge range of presets some editing tools are uniqueĬons: Expensive duplicates some functionality built into Photoshop, especially CS5
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